The Grammar of Heraldry — A Brief Tutorial
Heraldry took its modern form during the Norman conquests of the eleventh century, precisely the period in which the first Baron of Brattleby — Sir Roger de Brattleby — received his fee from King William I in 1066. By the reign of King Stephen, knights bore identifying devices on shield and surcoat in tournament and battle alike, and within a generation the College of Arms had begun codifying the language we still use today.
A blazon — the verbal description of a coat of arms — always reads in a strict order: first the field (the background of the shield, in one of seven canonical tinctures), then the ordinary (a geometric band such as a fess, pale, bend or chief), then the charges placed upon them (lions, eagles, stags, mullets, fleurs-de-lis), and finally the crest (the figure rising from the helm above the shield). Tinctures are divided into metals (Or, Argent) and colours (Azure, Gules, Sable, Vert, Purpure), and the celebrated Rule of Tincture forbids placing colour upon colour or metal upon metal — a convention our generator strictly observes.
The Noble House of Brattleby bears, by ancient grant, Azure, a lion rampant Or armed and langued Gules, on a chief of the second three mullets of the field — the gold lion upon blue declaring fortitude in service of the crown, the three stars on the gold chief commemorating the three founding manors of Lindesia.