Noble House of Brattleby — Coat of Arms, seat of Lady Nicoleta, the 12th Baroness of Brattleby
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    Arms & Armour

    Caparison

    /kə-PAR-i-sən/

    A decorative and protective ornamental covering for a horse, often emblazoned with the rider's heraldic achievements or coat of arms.

    In the context of English chivalry and feudalism, the caparison (or trapper) was an elaborate textile covering for a knight's destrier or charger. Beyond its decorative purpose, the caparison served a vital functional role in the late medieval period, protecting the horse's leather barding from the elements and dampening the impact of arrows. Its most critical heraldic function was the visual identification of the rider; in an era where the closed helm obscured the face, the repetition of the coat of arms on the horse’s flanks ensured the knight’s lineage and status were immediately recognizable across the field of battle or the tournament list.

    Crafted from rich materials such as velvet, silk, or baudekin, these coverings were often sumptuously embroidered with gold thread and appliquéd with the wearer's charges. By the 14th century, the caparison had evolved from a simple surcoat for the horse into a formal statement of dynastic pride, used extensively in royal entries, state funerals, and the elaborate pageantry of the Garter ceremonies. As heavy cavalry transitioned into more mobile forms during the Renaissance, the functional armored caparison gave way to the purely ceremonial housings seen in the modern Royal Mews.

    Etymology

    From the Middle French 'caparasson', derived from the Old Spanish 'caparazón', ultimately from 'capa' meaning 'cape' or 'cloak'.

    Historical Context

    Prominent from the 12th to the 16th centuries; signified the transition from purely utilitarian mail protection for horses to sophisticated heraldic display during the High Middle Ages.

    Examples

    • The caparisons of King Richard III at the Battle of Bosworth, featuring the White Boar.
    • The funeral achievements of the Black Prince, where the horse was draped in the arms of France and England quarterly.
    • The Field of the Cloth of Gold (1520), featuring caparisons made of solid gold tissue and damask.

    A Companion Project · In Formation · brattleby.org.uk

    The Brattleby Heritage Institute

    A companion project of the Noble House of Brattleby, gathering research and published scholarship on the history of the Barony. The Institute is presently in formation: it is not a registered charity, and it is not an accredited academic institution.

    brattleby.org.uk